10/1/12

Extra Movement




Even a small shift of a body part weighing only a few ounces requires an adjustment in order to stay in balance, or more commonly, engenders a state of tension, in order to compensate for being out of balance, even slightly. Each extra movement increases tension, and can be dysfunctional far beyond what the size of the movement would suggest, making the difference between a form which exhibits an elegant simplicity and grace, and that which Mr. Chow would sometimes call “Similar to T’ai Chi”.

Attention to detail in this case is very practical, and very functional, and is not merely obsessive. It should be noted here that it is not at all necessary to execute the form perfectly in order to gain the benefits. It is however, extremely profitable to strive to improve one’s form, as exemplified by Mr. Chow’s example of the magnifying glass:

If one places a magnifying glass between the sun and a piece of paper, if it is held at exactly the correct distance, the paper will burst into flame. In a slightly different position the paper will be warmed, but the effect is much less. Indeed, if the glass is positioned in exactly the right place, it will even melt metal.

One place where the application of this concept might prove advantageous is in adhering to the standards – wrists and shoulders often at the same height, knees when bent are bent to the distance of just as far forward as the toes, elbows sinking to a right angle, with room for a hand width between the elbow and the body, and so on. 

Another place is in shifting the weight more fully onto one leg before lifting or moving the other leg. This is useful at all levels – if one is shifting the weight ninety percent, or ninety nine point nine percent, in each case improvement will provide immediately observable benefit to one’s form. When one is balanced on one leg and one turns, it is easy to stay in balance and easy to maintain a relaxed state. If one is what Mrs. Chow called “Double weighted”, as one turns, the weight subtly moves around between the legs and tension is created to adjust for this shifting in the balance, immensely reducing the quality of the relaxed state desired in one’s form.